All rights reserved © Sheyda Aisha Khaymaz
01. Peer-Reviewed ArticlesOn Permanency: Rethinking Settler Colonialism in Algiers or Fanon’s lieu en ébullition
Settler Colonial Studies
DOI: 10.1080/2201473X.2025.2535137
July 18, 2025
pp.1-33

This paper explores the potential offered by deploying a settler colonial critique in Algeria. Issues around sovereignty constitute its central topic, as I consider the following questions: What did sovereignty mean for Algerian Arab and Kabyle communities subsequent to independence? How has colonial urban design historically shaped – and continued to shape – power relations? Under the theoretical umbrella of Frantz Fanon’s lieu en ébullition (boiling place), this paper analyses the mechanisms by which Algiers had become bifurcated by the 1950s and how urban architecture served not only as a tool that reified antagonistic colonial power relations, but also as a site where demands of sovereignty took tangible form. I consider the notion of permanency, both that of colonialism and urban architecture, to elucidate the role of the built environment in instituting an antithetical order of coloniser versus colonised. Following the scholarship on the built environment of colonial Algeria that has grown in recent decades, this work demonstrates that the seeds of alterity sown by the French architectural and urban practices persisted beyond independence, embedding spatial hierarchies that continue to shape lopsided power relations well into the twenty-first century.





“Verbs Are a Tragedy”: Poetics of Refusal from the Black Diaspora
Journal of Black Studies
DOI: 10.1177/00219347231166883
2023, Vol. 54, no. 4pp. 271­–287
Language [is] a foreign anguish,” once declared Afro-Caribbean diasporic poet NourbeSe Philip. Philip’s sentiment holds true predominantly for those who write within Anglophone spheres yet cannot relay their anguish to their mothers in English. This article argues that the English language, as a diasporic tongue, is a limited and limiting entity that precludes the rich spectrum of expression of diasporic consciousness. A number of poets from the Black Diaspora have sought to transgress the boundaries of their language and, in turn, produced strategies for liberation. In this article, I analyze and compare the work of NourbeSe Philip, Dionne Brand, June Jordan, and Claire Harris to demonstrate how the desire for liberation from coloniality has produced linguistically deconstructive impulses in these poets. Their resulting oeuvre is characterized by a distinctive refusal that tends toward fragmentation, incompleteness, and a sense of strangeness.